|
Johann
Sebastian Bach |
It's
easy to play any musical instrument - all you have to do is
touch the right key at the right time and the instrument will
play itself. |
|
Francis
Bacon |
Flesh
and meat are life! If I paint meat as I paint bodies it is
just because I find it very beautiful. . . . We are all meat. |
|
William
Bailey |
I
wanted a painting that was silent and unfolded slowly, that
offered a contemplative situation.
[1979] |
|
Balthazar
Balthus |
The
best way to begin is to say Balthus is a painter of whom nothing
is known.
And now let us look at his paintings.
[Balthus insisted that the catalog for his 1968 exhibition at
the Tate should contain no biographical matter.] |
|
Charles
Baudelaire
(1821 – 1867)
|
The
more a man cultivates the arts the less he fornicates. A more
and more apparent cleavage occurs between the spirit and the
brute. |
|
Charles
Baudelaire
|
Artist
should look at the reality and brutality of modern life in all
its color, nature with all its imperfections - that should be
the challenge to the modern painter not the didactic
idealization of the past. The new generation should forge
a new path. |
|
Charles
Baudelaire
|
A
child sees everything in a sense of newness – he is always drunk.
Genius
is nothing but childhood re-attained at will. |
|
Sir
George Beaumont
(artist,
connoisseur, patron of Constable) |
A
good picture, like a good fiddle, should be brown.
[Constable protested by putting a violin on lawn to demonstrate
that nature was not really so somber.] |
|
Beethoven |
Everything
should be at once surprising and inevitable. |
|
Max
Beckmann (1884-1950) |
What matters is real love for things of the world outside us and
for the deep secrets within us. |
|
Bernard
Berenson |
The
ultimate justification of the work of art is to help the
spectator to become a work of art himself. |
|
John
Berger |
In
the average European oil painting of the nude the principal
protagonist
is never painted. He is the spectator in front of the
picture and he is
presumed to be a man. [Ways of Seeing, 1972] |
|
Yogi
Berra |
You
can observe a lot just by watching. |
|
Ambrose
Bierce |
PAINTING,
n. The art of protecting flat surfaces from the weather and
exposing them to the critic. |
|
William
Blake |
If
you cannot imagine with the mind’s eye much more than you can
see with
the
mortal eye, you have a very poor imagination
indeed. |
|
William
Blake |
All
pictures that's painted with sense and with thought
Are painted by madmen as sure as a groat;
For the greater the fool in the pencil more blest,
And when they are drunk they always paint best. |
|
William
Blake |
Energy
is eternal delight. |
|
Charles
Blanc |
Line
must maintain its preponderance over color or painting will fall
to its ruin just as surely as mankind fell through Eve. |
|
Adolphe-William
Bouguereau |
One has to seek Beauty and
Truth, Sir! As I always say to my pupils, you have to work to
the finish. There's only one kind of painting. It is the
painting that presents the eye with perfection, the kind of
beautiful and impeccable enamel you find in Veronese and Titian.
(1895) |
|
Melvin
Bragg |
History
is too often the refuge of the tidy-minded, making neat patterns
when the dust has settled. |
|
Georges
Braque
(1882-1963) |
To
explain away the mystery of a great painting - if such a feat
were possible - would be irreparable harm . . . If there is no
mystery then there is no ‘poetry’. [To John Richardson
1957] |
|
Georges
Braque |
The
function of art is to disturb. |
|
Georges
Braque |
I
am much more interested in achieving unison with nature than in
copying it. |
|
Bertolt
Brecht |
Art
is not a mirror held up to reality but a hammer with which to
shape it. |
|
Henri
Cartier-Bresson |
Degas
was right when he said something like ‘You must copy, copy
before you are entitled to paint a radish from nature.’
He meant you have to learn from others, from the past. . . You
need a sense of culture to cultivate yourself . . . |
|
Andre
Breton |
Surrealism
is based on the belief in the superior reality of certain forms
of previously neglected associations, in the omnipotence of
dreams, in the disinterested play of thought. It tends to
ruin once and for all other psychic mechanisms and to substitute
itself for them in solving all the principle problems of
life. |
|
Lois
Bunuel |
A
writer or painter cannot change the world. But they can
keep an essential margin of nonconformity alive. |
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