|
Leszek
Kalakowski |
We
learn history not in order to know how to behave or how to
succeed, but to know we we are. |
|
Wassily
Kandinsky |
We
live in a time full of questions and premonitions and omens –
hence full of contradictions |
|
Wassily
Kandinsky |
The
starting point is the study of color and its effect on men.
(Concerning the Spiritual in Art) |
|
Wassily
Kandinsky |
Art
has the power to create a spiritual atmosphere.
(Concerning the Spiritual in Art) |
|
Wassily
Kandinsky |
Color
directly influences the soul.
(Concerning the Spiritual in Art) |
|
John
Keats |
'Beauty is truth, truth, beauty,' – that is all
Ye know on earth, and all ye need to know. (Ode on a
Grecian Urn) |
|
John
Keats |
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on,—
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone.
(Ode
on a Grecian Urn) |
|
Ellsworth
Kelly |
In a
sense, what I've tried to capture is the reality of flux, to
keep art an open, incomplete situation, to get at the rapture of
seeing. |
|
Martin
Kemp |
That
“western art” has a history
seems self-evident. It
has existed for over 2 ˝
millennia, and has undergone a series of transformations.
At one time it
seemed reasonably clear what comprised that history . . . [now
there is] a
radical questioning of the validity of artistic quality as a
criterion, of “western”
as the standpoint perspective from which the world is to be
viewed, and of
history as something that tells the story of inexorable progress. .
. There is no one way of
telling the story
which can claim the highest level of validity. |
|
Anselm
Kiefer |
It's
horrible; you're desperate, but the next day it becomes,
sometimes, beautiful. Because I didn't see what was
inside. Desperation is a material for artists.
(Talking about his work in New York Times, July 9, 2009) |
|
Roger
Kimball |
The
greatest occupational hazard for an art critic or art historian
is to let words come between the viewer and the experience of
art - to substitute a verbal encounter for an aesthetic
one. (The Rape of the Masters) |
|
Roger
Kimball |
The
art world has wholeheartedly embraced art as an exercise in
political sermonizing and anti-humanistic persiflage, which has
assured the increasing trivialization of the practice of art. For
those who cherish art as an ally to civilization, the disaster
that is today’s art world is nothing less than a tragedy.
(The New Criterion, July 2007) |
|
Paul
Klee |
To
paint well is simply this: put the right color in the right
place. |
|
Oskar
Kokoschka |
Expressionism
does not live in an ivory tower, it calls upon a fellow being
whom it awakens.
(Edvard Munch's Expressionism, College Art
Journal, 1953) |
|
Jeff
Koons |
When
I view the world, I don't think of my own work. I think of
my hope that, through art, people can get a sense of the type of
invisible fabric that holds us all together, that holds the
world together.
(New York Times, Feb 28, 2010) |
|
Lawrence
M. Krauss |
I
often tell teachers that the biggest mistake any of them can
make is to assume that their students are interested in what
they are about to say. Teaching is seduction. |
|
Ernest
Kris |
Art
is not produced in an empty space, no artist is independent of
predecessors or models – he, no less than the scientist and
the philosopher is part of a specific tradition and works in a
structured area
of problems. |
|
Allen
Kurzweil |
The viewer paints the picture, the reader writes the book
The glutton gives the tart its taste and not the pastry cook.
(The Grand Complication) |
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