Franz
Kafka
(1883-1924) |
A
book must be the axe for the frozen sea inside us. |
Leszek
Kalakowski |
We
learn history not in order to know how to behave or how to
succeed, but to know we we are. |
Frida
Kahlo
(1907-1954) |
I
paint my own reality. The only thing I know is that I
paint because I need to, and I paint whatever passes through my
head without any other consideration. |
Frida
Kahlo
|
To
paint is the most terrific thing there is, but to do it well is
difficult. It is necessary to learn the skill very well, to have
very strict self-discipline, and above all to have love, to feel
a great love for painting. |
Wassily
Kandinsky
(1866-1944) |
We
live in a time full of questions and premonitions and omens –
hence full of contradictions |
Wassily
Kandinsky |
The
starting point is the study of color and its effect on men.
[Concerning the Spiritual in Art] |
Wassily
Kandinsky |
Art
has the power to create a spiritual atmosphere.
[Concerning the Spiritual in Art] |
Wassily
Kandinsky |
The
artist must not only train his eye but his soul.
[Concerning the Spiritual in Art] |
Wassily
Kandinsky |
Color
is the power which directly influences the soul. Color is
the keyboard, the eyes are the hammers, the soul is the piano
with the strings. The artist is the hand which plays,
touching one key or another, to cause vibrations in the
soul. [Concerning the Spiritual in Art] |
Allan
Kaprow
(1927-2006) |
Artist
refers to a person, willfully enmeshed in a dilemma of
categories, who performs as if none of them existed. |
John
Keats
(1795-1821) |
'Beauty is truth, truth, beauty,' – that is all
Ye know on earth, and all ye need to know. [Ode on a
Grecian Urn] |
John
Keats |
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on,—
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone.
[Ode
on a Grecian Urn] |
Ellsworth
Kelly
(1923-2015) |
In a
sense, what I've tried to capture is the reality of flux, to
keep art an open, incomplete situation, to get at the rapture of
seeing. |
Edward Kemp
(1871-1891) |
To
regard a garden as otherwise than a work of art, would tend to a
radical perversion of Nature. |
Martin
Kemp |
That
“western art” has a history
seems self-evident. It
has existed for over 2 ˝
millennia, and has undergone a series of transformations.
At one time it
seemed reasonably clear what comprised that history . . . [now
there is] a
radical questioning of the validity of artistic quality as a
criterion, of “western”
as the standpoint perspective from which the world is to be
viewed, and of
history as something that tells the story of inexorable progress. .
. There is no one way of
telling the story
which can claim the highest level of validity. |
John
F. Kennedy |
I
see little of more importance to the future of our country and
our civilization than full recognition of the place of the
artist. If art is to nourish the roots of our culture,
society must set the artist free to follow his vision wherever
it takes him. |
Anselm
Kiefer
(born 1945) |
It's
horrible; you're desperate, but the next day it becomes,
sometimes, beautiful. Because I didn't see what was
inside. Desperation is a material for artists.
[Talking about his work in New York Times, July 9, 2009] |
Anselm
Kiefer
|
Art
is longing. You neever arrive but you keep going in the
hope that you will. |
Anselm
Kiefer
|
Art
is something really worth thinking about. A part of it
should always include having to scratch your head. |
Roger
Kimball |
The
greatest occupational hazard for an art critic or art historian
is to let words come between the viewer and the experience of
art - to substitute a verbal encounter for an aesthetic
one. [The Rape of the Masters] |
Roger
Kimball |
The
art world has wholeheartedly embraced art as an exercise in
political sermonizing and anti-humanistic persiflage, which has
assured the increasing trivialization of the practice of art. For
those who cherish art as an ally to civilization, the disaster
that is today’s art world is nothing less than a tragedy.
[The New Criterion, July 2007] |
Paul
Klee |
To
paint well is simply this: put the right color in the right
place. |
Paul
Klee |
Color
is the place where our brain and the universe meet. |
Paul
Klee |
Drawing
is like taking a line for a walk. |
Oskar
Kokoschka |
Expressionism
does not live in an ivory tower, it turns to the person standing
closest and wakes him up.
[Edvard Munch's Expressionism, College Art
Journal, 1953] |
Jeff
Koons |
When
I view the world, I don't think of my own work. I think of
my hope that, through art, people can get a sense of the type of
invisible fabric that holds us all together, that holds the
world together.
[New York Times, Feb 28, 2010] |
Hilton
Kramer |
The
more minimal the art, the more maximum the explanation.
[New York Times art critic in the late 1960s] |
Karl
Kraus |
In
cultures where every blockhead has individuality, individuality
becomes a thing for blockheads. [Die Fackell] |
Lawrence
M. Krauss |
I
often tell teachers that the biggest mistake any of them can
make is to assume that their students are interested in what
they are about to say. Teaching is seduction. |
Ernest
Kris |
Art
is not produced in an empty space, no artist is independent of
predecessors or models – he, no less than the scientist and
the philosopher is part of a specific tradition and works in a
structured area
of problems. |
Allen
Kurzweil
(born 1960) |
The viewer paints the picture, the reader writes the book
The glutton gives the tart its taste and not the pastry cook.
[The Grand Complication, 2001] |
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