Paul
Valery |
One
must always apologize for talking about painting. |
Vincent
van Gogh
(1853-1890) |
Painting
demands an intelligent model.
[Letter to his brother Theo, August 1888] |
Vincent
van Gogh |
When people say they [my paintings are] done too quickly you'll
be able to reply that they looked at them too quickly.
[Letter to Theo, 1888] |
Vincent
van Gogh |
Try
to walk as much as you can, and keep your love for nature, for
that is the
true way to learn to understand art more and more.
Painters understand
nature and love her and teach us to see her.
If one really loves nature, one
can find beauty everywhere. [Letter to Theo, 1873] |
Vincent
van Gogh |
I
often think the night is more alive and more richly colored than
the day.
[Letter to Theo, Letter 533, Arles, 8 September 1888] |
Vincent
van Gogh |
I exaggerate, sometimes I make changes in a motif, but for all
that, I do not invent the whole picture; on the contrary, I find
it all ready in nature, only it muse be disentangled. [Letter to
painter John Russell] |
Vincent
van Gogh |
Rembrandt
is so deeply mysterious that he says things for which there are
no words in any language. |
Vincent
van Gogh |
To
paint nature you must be in it a long time"
[Letter June 25 1889] |
Vincent
van Gogh |
I
am always in the hope to express the love of two lovers by a
marriage of two complementary colors - colors which marry each
other . . . complement each other as a man and a woman do. |
Vincent
van Gogh |
Rembrandt
is so deeply mysterious that he says things for which there are
no words in any language. |
Giorgio
Vasari
(1511-1574) |
As
long as art lives never shall I accept that men are truly dead.
[Lives of the Artists, 1568 edition frontispiece
inscription] |
Giorgio
Vasari
|
Paolo
Uccello's wife told people that Paolo used to stay up all night
in his study trying to work out the vanishing points of his
perspective. When she called him to come to bed, he would
say "Oh what a lovely thing this perspective is!" |
Hans
van de Velde |
The
line is a force which stems from the energy of him who drew
it. [1902] |
Robert
Venturi
(born 1925) |
Disharmony
that comes from circumstances that are valid has tension,
poignancy, quality, and beauty. |
Voltaire
(1694-1778) |
Common
sense is not so common. |
Voltaire |
History
is after all only a pack of tricks we play on the dead. |
Voltaire |
Doubt
is not a pleasant position, but certainty is absurd. |
Kurt
Vonnegut, Jr. |
The
primary benefit of practicing any art, whether well or badly, is
that it enables one’s soul to grow
[New York Times May 24, 1999] |
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