|
Lee
Hall |
Culture
is for the living, and art should be about taking part.
[Introduction to The Pitman Painters] |
|
Mardsen
Hartley |
I
have come to the conclusion that it is better to have two colors
in right relation to each other than to have a vast confusion of
emotional exuberance. . . I had rather be intellectually right than emotionally exuberant. |
|
Ronald
Harwood |
Only
tyrannies understand the power of art.
[Wilhelm Furtwängler in Harwood's play Taking Sides] |
|
Robert
Harrison |
While
it is true that we speak with the words of the dead, it is
equally true that the dead speak in and through the voices of
the living - - - we lend voice to the dead so that they may
speak to us from their underworld - address us, instruct us,
reprove us, bless us, enlighten us, and in general alleviate the
historical terror and loneliness of being in the world.
[The Dominion of the Dead, 2003] |
|
Nathaniel
Hawthorne |
Nobody
. . . ought to read poetry, or look at pictures or statues, who
cannot find
a great deal more in them than the poet or artist has actually
expressed. [The Marble Faun] |
|
Robert
Henri |
Participate
in life and draw or paint what you participate in. |
|
Robert
Henri |
After
all the goal is not making art. It is living a life.
Those who live their lives will leave the stuff that is really
art. Art is a result. It is the trace of those who
have led their lives. [The Art Spirit, 1923] |
|
Robert
Henri |
Paint
what you feel. Paint what you see. Paint what is
real to you.
[The Art Spirit, 1923] |
|
Robert
Henri |
The
object is not to make art, but to be in the wonderful
state which makes art inevitable. [The Art Spirit,
1923] |
|
Robert
Henri |
Art
when properly understood is the province of every human
being. It is simply a question of doing things, anything
well. [The Art Spirit, 1923] |
|
Robert
Henri |
Where
those who are not artists are trying to close the book, he [the
artist] opens it, shows there are still more pages
possible.
[The Art Spirit, 1923] |
|
Robert
Henri |
Through
art mysterious bonds of understanding and of knowledge are
established among men. [The Art Spirit, 1923] |
|
Robert
Henri |
The
brush stroke at the moment of contact carries inevitably the
exact state of being of the artist at that exact moment into the
art.
[The Art Spirit, 1923] |
|
Dave
Hickey |
The
cultural world is divided between those people who look at
Raphael as if it's
graffiti, and those who look at graffiti as
if it's Raphael and I prefer the latter. |
|
Jim
Hodges |
I
like that people say “I can do that.”
That’s part of the message - yes, you can do that. |
|
Joseph Hoffman |
Build
houses whose exterior is at one with their interior. |
|
Joseph Hoffman and Koloman Mosser |
So
long as our cities, our houses, our rooms, our furniture, our
effects, our clothes and our jewelry, so long as our language
and feelings fail to reflect the spirit of our times in a plain,
simple and baeutiful way, we shall be infinitely behind our
ancestors. [In the Manifesto of the Weiner
Werkstatte, 1905] |
|
Justice
Oliver Wendell Holmes |
Of
course the eternal effort in art, even of the art of writing
legal decisions, is to omit all but the essentials.
[Letter to Frankfurter, 1915] |
|
Ana
Finel Honigman |
Science
is full of instances in which scientists began experiments with
one intention but then accidentally produced something entirely
different whose character has greatly contributed to society.
Art should be no different - what is heard and seen is as valid
as what is intended to be said, and what is created. [Blog
in The Guardian, 26 Jan 2007] |
|
Edward
Hopper |
American
art should be weaned from its French mother. |
|
Robert
Hughes |
What
we need more of is slow art: art that holds time as a vase holds
water: art that grows out of modes of perception and whose skill
and doggedness make you think and feel; art that isn't merely
sensational, that doesn't get its message across in 10 seconds,
that isn't falsely iconic, that hooks onto something
deep-running in our natures.
[Lecture
at Royal Academy, 2004] |
|
Aldous
Huxley |
Art
is one of the means whereby man seeks to redeem a life which is
experienced as chaotic, senseless, and largely evil. |
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